Regina Spektor: 11:11
Sometimes I wonder if I've managed to impress upon people how much of an amazing talent Regina Spektor is.
After discovering her latest album, Begin to Hope, I went back to explore her previous works. It turns out that Hope is actually her most pop-ish album.
11:11 takes a much more jazz-like approach, with aspects of poetry, a beatnik sound, and a feeling of improv. One song is heavily reminiscent of Mike Myers' reading scenes in "How I Married an Axe Murderer."
The album doesn't carry the Top40 pop tune(s) that Begin to Hope does, and I think that's for the best. I think 11:11 may be most indicative of her work and talent, even if it feels a little rough.
Rejazz, with it's heavy bass, creates an atmosphere of a smokey jazz club in the 40s; Flyin', a very basic song (just her voice and the sound of someone banging on a single drum), is playful, but sadly short; 2.99c Blues is my favourite track, banged out on a piano with Spektor playing a lot with her vocal range; and I Want to Sing features the only instrument Regina needs: her voice.
In the end: This album is a bit erratic, but beautiful and smokey, with a very high replay value. If you've discovered the joys of Regina Spektor, you best not have missed this album.
On the Web: Hit up the Hype Machine, and check out a bootleg of hers from last year, courtesy of my gigasize account.
Technorati Tagged: Regina Spektor | Jazz | 2001
After discovering her latest album, Begin to Hope, I went back to explore her previous works. It turns out that Hope is actually her most pop-ish album.
11:11 takes a much more jazz-like approach, with aspects of poetry, a beatnik sound, and a feeling of improv. One song is heavily reminiscent of Mike Myers' reading scenes in "How I Married an Axe Murderer."
The album doesn't carry the Top40 pop tune(s) that Begin to Hope does, and I think that's for the best. I think 11:11 may be most indicative of her work and talent, even if it feels a little rough.
Rejazz, with it's heavy bass, creates an atmosphere of a smokey jazz club in the 40s; Flyin', a very basic song (just her voice and the sound of someone banging on a single drum), is playful, but sadly short; 2.99c Blues is my favourite track, banged out on a piano with Spektor playing a lot with her vocal range; and I Want to Sing features the only instrument Regina needs: her voice.
In the end: This album is a bit erratic, but beautiful and smokey, with a very high replay value. If you've discovered the joys of Regina Spektor, you best not have missed this album.
On the Web: Hit up the Hype Machine, and check out a bootleg of hers from last year, courtesy of my gigasize account.
Technorati Tagged: Regina Spektor | Jazz | 2001
0 Comments:
Post a Comment
<< Home